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IN THE WOODSTomas Mierez
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artwork
The Red Series, in the inexpressiveness of a presence molded by death and uncertainty, it rises stoically from the individual nothingness towards a hostile and desolate world, in contrast to its corporality reflex of pain that comes with experience.
The Blue Video, in a game between the real and unreal, this piece is saturated with a condensation, of both emotions and growth processes in moments where the time seems to run in a melancholic armony.
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